So, yeah, Wynette read my draft of the first two acts of Affairs. Her take:
“This would be a really good book from anybody but you. You can do better.”
Uh, thanks? Uh, uhm…really. How am I supposed to feel?
Let’s be clear: she’s right. The things she bitched about were things that have been troubling me as I’ve been writing: some serious flaws in Deaclan’s motivation which–were I to address them–would derail my trip towards that plot point this novel had to hit; the way plot had to keep giving way to the weight of backstory and worldbuilding this novel was trying to carry. There’s other stuff I would like to improve, too, but those are the things that can’t be addressed within the current framework. The bottom-line problem is that I am a character-driven writer and I’ve been trying to write to a plot point. Which is to say that I’ve been writing a plot-driven novel. Of course I can do better than that.
So, where do we go from here? The headline: this book won’t go to press this year. Oh, it *could*: I’m the publisher, after all. And it wouldn’t be an embarrassment in the scheme of things…but it wouldn’t be my best art. And that would be sorta pointless. Instead I will dig back in and attack this story (which, as those of you who’ve been playing along know, will have numerous volumes by the time it’s done, mostly because the idea is Too Freakin Big) from the other possible angle of entry. Which will obviate (no, who am I kidding? alleviate) the worldbuilding problem I’ve been fighting. I’d actually had a hard time deciding which of these two points of entry to use, and now I have sufficient data to be certain which is the way to go. It’s going to be easier, and probably better, this way.
Why, then, the perpiscacious reader asks, if trying it the other way will be easier and better, didn’t you just damn well do it that way in the first place?
That would be because I had made the mistake of attempting to think like a publisher.
Oh, sure, I’ve got to think like a publisher. But when thinking like a publisher gets in the way of thinking like an artist, I will succeed as neither. I’d chosen Affairs as the starting point for the series because it’s got a better hook. It will probably be easier to sell. All things being equal, that’s better, obviously. The problem is that all things aren’t equal. The other approach, beginning with The Shadow of the Sun, is more art and less hook. Hamlet meets the Tain Bo Cuilagne meets Paradise Lost. How the hell do you soundbyte that? Who besides Irish mythology geeks has even *heard* of the Tain Bo?
Don’t glaze over. It will be a good ride, nay a great one. It just doesn’t have that nice *hook*.
Back to the study for me, right after the launch.